Dark Mofo, the annual art festival in Tasmania, returns this winter from June 5-15 and 21. The festival, known for its thought-provoking and sometimes challenging works, features a diverse array of artworks, music, and events. Notable pieces include a performance art crash, a participatory scream session, and a powerful installation by a First Nations artist. After a year's hiatus, Dark Mofo has secured new funding from the Tasmanian state government, which will provide $7 million annually for three years. This financial support allows the festival to resume after economic challenges and previous controversies. The festival's previous iteration, Mona Foma, was canceled in 2024 after 16 years. The art program for Dark Mofo includes works that address complex social and historical issues. Trawlwoolway artist Nathan Maynard's piece, "We threw them down the rocks where they had thrown the sheep," explores the legacy of cultural theft and the treatment of First Nations remains in museums. The work, which involves sheep flesh, is part of Maynard's ongoing effort to shed light on these issues. Another highlight is "Crash Body" by Brazilian artist Paula Garcia, in collaboration with a stunt driver. This two-hour performance in Hobart's Regatta Grounds will feature a series of near misses leading to a head-on collision. The piece is both a physical challenge for Garcia and a powerful statement on various themes, according to festival director Chris Twite. "It's a work that pushes the boundaries of what is possible in performance art," Twite said. Nicholas Galanin, an artist from the Sitka tribe in Alaska, invites visitors to participate in "Neon Anthem," a work that allows them to scream until they can't breathe. This cathartic experience is designed to protest against injustices and provide a moment of release. "The work has been well-received in other galleries and we're excited to bring it to Hobart," Twite added. Meanwhile, Carlos Martiel's "Custody" sees the American-Cuban artist imprisoned in an hourglass as a tonne and a half of sand is poured over him. This grueling performance addresses the overrepresentation of people of color in prison systems. Martiel's previous work, "Cuerpo," which involved him hanging from a noose, is also part of the festival's lineup. These pieces, while challenging, are part of a broader effort to confront difficult truths, festival organizers say. Other art installations include Everything is Recorded by British record producer Richard Russell, which will create a soundscape across seven kilometers of Hobart. The festival will also debut the relocated Quasi statue by Ronnie van Hout, which previously caused controversy in New Zealand. In addition to the art exhibits, Dark Mofo offers a diverse music lineup. Headliners include Beth Gibbons of Portishead, rock bands The Horrors and Diiv, rapper Tierra Whack, and others. The festival's regular events, such as the Night Mass dance parties, Winter Feast food market, and the nude solstice swim, will also return. The festival's economic impact is significant, with previous years contributing millions to the Tasmanian economy. With the new state funding, organizers hope to build a sustainable future for Dark Mofo while continuing to push artistic boundaries. Tickets for Dark Mofo go on sale to subscribers on April 9 at 10 AM, followed by general release at 12 PM.
